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Paris preview #2: Coney Island Quietude by Judith Thompson

Included among the prints being exhibited at the up-coming show, Graciously Yours (Galerie Thierry Bigaignon, May 24-August 31) are a number of Coney Island photographs that speak to a quiet side of the famed amusement park away from the screams on the Cyclone or the barkers on the boardwalk. Harold’s own thoughts about these photographs… Continue reading

Paris preview #1: The sculptural body by Judith Thompson

Hands, arms, legs, backs, torsos!  In his press release describing the up-coming show Graciously Yours, (Galerie Thierry Bigaignon, May 24-August 31), Thierry Bigaignon, remarks on the “omnipresence of bodies” as a key feature of the 21 prints that will be exhibited. Indeed, Harold’s attraction to the human form and his desire to capture the grace… Continue reading

Not yet sprung! Waiting for the Big Bang! by Judith Thompson

Do I have your attention?  Spring? Seduction by color, shape, sound, fragrance? Crocuses? Tulips? Dogwood? The riotous scream of YELLOW shooting from the forsythia, followed by the reds, oranges, and pinks of tulips? Whatever happened to “in like a lion and out like a lamb?”  We got the lion coming and going! So I say: “Let’s… Continue reading

Preparing for a curator’s visit: Two days with Francois Cheval, Audrey Hoareau and Thierry Bigaignon by Judith Thompson

When my Paris dealer, Thierry Bigaignon, told me that he would be bringing curators Francois Cheval and Audrey Hoareau for a two day visit to the studio in January,  I was ecstatic!  Francois had served as director of the Musée Nicéphore-Niépce for 20 years, and recently launched The Red Eye, together with Audrey Hoareau who had… Continue reading

Happy New Year! Looking back on 2017 and forward to 2018 by Judith Thompson

As the New Year unfolds,  we look back on 2017,  which  was a year of exciting developments for the Harold Feinstein Photography studio. Beautifully mounted exhibitions in Paris and Istanbul accompanied by significant media attention,  a public preview of clips from the up-coming documentary at Photo London,  the launch of our YouTube channel with clips… Continue reading

W. Eugene Smith, Ed Thompson and the battle for creative control: A play in multiple acts by Judith Thompson

“All the world’s a stage, and all the men and women merely players. They have their exits and their entrances. And one man in his time plays many parts.” William Shakespeare, from “As you Like It” Several months ago I received a few emails from friends pointing me to a highly entertaining blogpost written by… Continue reading

The Cook, the photographer and the poison ivy: Story of a photo shoot by Judith Thompson

While it seems true that every photograph can tell a story either through the explicit hand of the photographer or through the viewer’s imagination, it’s not often that we hear directly from both the photographer and the subject about the context or circumstances of that moment. Last year I published a post called Ripple Effects:… Continue reading

Living to the point of tears: Two years and no time at all… by Judith Thompson

After Harold died and I was sorting through pictures, I came across these two favorites and the magnet to secure them onto my refrigerator. The portraits and caption accompanied me all year. They were among the very last items I packed up when I left our house of 17 years last August. There are scores… Continue reading

    Paris preview #2: Coney Island Quietude by Judith Thompson

    Included among the prints being exhibited at the up-coming show, Graciously Yours (Galerie Thierry Bigaignon, May 24-August 31) are a number of Coney Island photographs that speak to a quiet side of the famed amusement park away from the screams on the Cyclone or the barkers on the boardwalk. Harold’s own thoughts about these photographs… Continue reading

    Paris preview #1: The sculptural body by Judith Thompson

    Hands, arms, legs, backs, torsos!  In his press release describing the up-coming show Graciously Yours, (Galerie Thierry Bigaignon, May 24-August 31), Thierry Bigaignon, remarks on the “omnipresence of bodies” as a key feature of the 21 prints that will be exhibited. Indeed, Harold’s attraction to the human form and his desire to capture the grace… Continue reading

    Not yet sprung! Waiting for the Big Bang! by Judith Thompson

    Do I have your attention?  Spring? Seduction by color, shape, sound, fragrance? Crocuses? Tulips? Dogwood? The riotous scream of YELLOW shooting from the forsythia, followed by the reds, oranges, and pinks of tulips? Whatever happened to “in like a lion and out like a lamb?”  We got the lion coming and going! So I say: “Let’s… Continue reading

    Preparing for a curator’s visit: Two days with Francois Cheval, Audrey Hoareau and Thierry Bigaignon by Judith Thompson

    When my Paris dealer, Thierry Bigaignon, told me that he would be bringing curators Francois Cheval and Audrey Hoareau for a two day visit to the studio in January,  I was ecstatic!  Francois had served as director of the Musée Nicéphore-Niépce for 20 years, and recently launched The Red Eye, together with Audrey Hoareau who had… Continue reading

    Happy New Year! Looking back on 2017 and forward to 2018 by Judith Thompson

    As the New Year unfolds,  we look back on 2017,  which  was a year of exciting developments for the Harold Feinstein Photography studio. Beautifully mounted exhibitions in Paris and Istanbul accompanied by significant media attention,  a public preview of clips from the up-coming documentary at Photo London,  the launch of our YouTube channel with clips… Continue reading

    W. Eugene Smith, Ed Thompson and the battle for creative control: A play in multiple acts by Judith Thompson

    “All the world’s a stage, and all the men and women merely players. They have their exits and their entrances. And one man in his time plays many parts.” William Shakespeare, from “As you Like It” Several months ago I received a few emails from friends pointing me to a highly entertaining blogpost written by… Continue reading

    The Cook, the photographer and the poison ivy: Story of a photo shoot by Judith Thompson

    While it seems true that every photograph can tell a story either through the explicit hand of the photographer or through the viewer’s imagination, it’s not often that we hear directly from both the photographer and the subject about the context or circumstances of that moment. Last year I published a post called Ripple Effects:… Continue reading

    Living to the point of tears: Two years and no time at all… by Judith Thompson

    After Harold died and I was sorting through pictures, I came across these two favorites and the magnet to secure them onto my refrigerator. The portraits and caption accompanied me all year. They were among the very last items I packed up when I left our house of 17 years last August. There are scores… Continue reading