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Prints and printmaking, Part 1: Silver gelatin vintage, printed later and modern prints; what’s the difference? - by Judith Thompson
When I first began getting involved with Harold’s work, during and after a long career of my own (completely unrelated to photography or the art world), I found myself a complete novice at the bottom end of the learning curve. Among the many things to decipher and digest was the question of what constitutes… Continue reading
Preparing for a curator’s visit: Two days with Francois Cheval, Audrey Hoareau and Thierry Bigaignon - by Judith Thompson
When my Paris dealer, Thierry Bigaignon, told me that he would be bringing curators Francois Cheval and Audrey Hoareau for a two day visit to the studio in January, I was ecstatic! Francois had served as director of the Musée Nicéphore-Niépce for 20 years, and recently launched The Red Eye, together with Audrey Hoareau who had… Continue reading