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Prints and printmaking, part 2: The allure of the darkroom - by Judith Thompson

  It seems appropriate to publish this second post in the series on Prints and Printmaking shortly after the Kodakery podcast, The Life and Work of Harold Feinstein with Andy Dunn and Carrie Scott published two weeks ago. After all, when Kodak filed for bankruptcy in 2012,  the notion that a new film camera might enter… Continue reading

Prints and printmaking, Part 1: Silver gelatin vintage, printed later and modern prints; what’s the difference? - by Judith Thompson

  When I first began getting involved with Harold’s work, during and after a long career of my own (completely unrelated to photography or the art world),  I found myself a complete novice at the bottom end of the learning curve. Among the many things to decipher and digest was the question of what constitutes… Continue reading

Harold’s students: JoAnn Cancro - by Cory Levine

We were delighted to connect recently with one of Harold’s former students, JoAnn Cancro. JoAnn is an accomplished fine art, cultural and event photographer who attended one of Harold’s private workshops in New York during the 1990s. She was kind enough to guest author this blog entry and share her memories of that time, as… Continue reading

Long before there was Photoshop… photomontages - by Harold Feinstein

Last week I was asked to speak at the Endicott College School of Visual and Performing Arts, a great little gem of an art school overlooking the ocean in Beverly, MA. I was a special guest for the opening of an exhibition curated by Boston University’s Photographic Resource Center entitled “Unconventional Inventions: Innovative, unusual, and… Continue reading